Archive for Power

‘Dogme 95′ notes

 LARS VON TRIER 1995

Von Trier’s manifesto was a violent reaction to Hollywood.
The Five Obstructions” with Jorgen Leth.
Trier challenged Leth to remake his “The Perfect Human” with obstructions and limitations on creativity. Once Leth had completed this challenge successfully he had to edit within a strict list of rules;

  • 12 frames per second (change angle)

  • Answer the questions posed in voice over in the original film

  • Had to be shot in Cuba

  • No set was allowed to be built.

His next task was to challenge the ethical dilemmas of controversial media work;

  • Had to be shot in a miserable place – Bulgaria

  • Not to be made for exhibition, for own personal documentation.

  • Film a child dying of war wounds and not help

  • Eat a plentiful meal in front of a starving family.

Leth agreed to become part of the experiment, but why does he concede? Surely a moral response would be to argue against the more severe regulations.

‘Nationwide Study’ notes

 DAVID MORLEY

Morley investigated how audiences from different social classes, ethnicity, age etc respond to television programmes; he found that there were three main reactions.

  1. Hegemonic reading: the audience held the same attitudes and beliefs

  2. Negotiated reading: the audience only share half of the same attitudes

  3. Oppositional reading: the audience agrees with none of the same beliefs.

He established that it mostly depended on social class and up-bringing.

‘The Milgram Experiment’ notes

 YALE 1961

The Milgram experiment involved a teacher and a student in separate rooms. The rooms were opposite one another with a one-way mirror dividing the subjects; this allowed the teacher to see their student. All ‘student’s were actors, but the ‘teacher’s were unaware of this.
The task was for the student to answer questions from the teacher correctly, if the student gave an incorrect answer the teacher had to administer an electric shock, and the student would act as though in pain.
Most teachers shocked their pupils without question, but some were uncomfortable causing physical pain. The scientists observing were only allowed to say “please continue”, and usually the teacher would carry out their absurd task.

‘The Stamford Experiment’ notes

 PHILIP ZIMBARDO et al 1971

The Stamford experiment was a study of the psychological effects of being a prisoner or a guard.
The task was to live in a mock prison and carry out a ‘normal’ routine, the guards were allowed to punish where they saw fit.
The experiment only lasted six days as it was unexpectedly stopped. Prisoners were losing their identity, however only one rebelled still understanding that it was an experiment, the others simply conformed to the guards abstract rules.
After the experiment was conducted, the guards said they were surprised to see how they acted in a simulated environment.
We can see similarities to this in modern day media, reality television shows, such as ‘Big Brother’ (Channel 4); the producers encourage conflict in the house for public entertainment.

“Ways of Seeing” notes

JOHN BERGER 1972

What is the nude, why does it exist? Berger argues that art should not be questioned.
Says men were jealous of women being openly nude, so they created vanity as a sin.
Some religions use nudity to demonstrate sexual activity and love.
Read ‘seeing’ as looking, not as a display; there are differences between paintings made for display or personal gratification (hedonism).
The woman’s positioning in the paintings is demonstrating the male’s sexual pleasures; it has nothing to do with her own. Women in these paintings are always laying in wait for their male judge, however, her look is one of calm content; she knows an audience/painter is looking at her. The gaze is for the viewer. Both modern day and ancient medias use this for male voyeurism.
The only rival for a man usually shown in these renaissance paintings is Cupid or cherub type small boys.

Notes on ‘The Economy of Power’

MICHEL FOUCAULT 1982

If it is accurate that we are the sum of our experiences (the knowledge we encounter), then those in control of our early life experiences have a vast amount of power. In an isolated family, a child’s knowledge is dependant on a small number of people. In a sense the few people ‘fashion’ the child’s identity. The child cannot know anything, but what is communicated / given to them. Discourse joins power and knowledge, the power ensues from our casual acceptance of the “reality with which we are presented” (Foucault).

If our identity is created by the media then our world view is restricted to the perspective of certain, remote, rich individuals (the bourgeoisie); we are made to think that we cannot leave the boundaries of our own knowledge of the ‘world’, the limitations of our own understanding; therefore making those in power more powerful.

For example, by inundating us with the trivial (‘Big Brother’ (Channel 4), ‘X-Factor’ (ITV1), etc) the media limits our perception and our access to knowledge, not allowing us to see a segment on, for example human rights atrocities in Burma and the like.

According to Foucault, truth, morality and meaning are created through discourse. Every age has a dominant group of discursive elements that people live in unconsciously. Change may only happen when a new counter-discursive element begins to receive wide attention through the means of communication.

The Master / Slave relationship equals power. If you are within a particular discourse you will only understand yourself in terms that this discourse allows. In other words, the slave (frequently) believes and conforms to the picture that this discourse draws of him or her. In turn it is important to understand that the master’s sense of free will is just as limited. Any change to this relationship to power requires the possession of the means of communication, of self-representation. So therefore, a discourse is never totally ‘pure’ it will always contain some measure of counter-discursive elements.

Foucault argues that knowledge is a power over others, the power to define others. In his view, knowledge ceases to be liberation and becomes a mode of surveillance, a regulation, a discipline.

An important part of Foucault’s Power / Knowledge is the belief that those who are in power have specialist knowledge. In cases such as these, the production of knowledge and the exercise of administrative power intertwine and each begins to enhance the other. For Foucault, this is a reciprocal, mutually reinforcing relation between the circulation of knowledge and subsequently the control of conduct.